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| "Expecting Triplets" 7"x8" mixed media, ©2017, Margaret Bremner, available |
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| "Playful Planet" 10.5"x10.5" mixed media, ©2016, Margaret Bremner, sold |
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| "Expecting Triplets" 7"x8" mixed media, ©2017, Margaret Bremner, available |
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| "Playful Planet" 10.5"x10.5" mixed media, ©2016, Margaret Bremner, sold |
I was out walking the other day and noticed an interesting hubcap. Then I noticed other hubcaps. What wonderful inspiration for mandala designs! Simply plug "hubcap photos" into an image search engine and you'll find lots of inspiration! Here are five, along with the hubcap that inspired them.
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| Tangles: Black Pearlz, Doodah, Fife, Hibred, Prestwood, Skyesil, Zewm |
Today let's take a trip down another tangle rabbit hole. This time it's Zentangle's tangle Strircles, a combination of stripes and circles.
I tend to think of the circles as relatively evenly spaced, but why not cluster them in one area and draw them sparsely in another? The tile below was stained with a hibiscus teabag first. I wanted white stripes at the outer edges to enhance the fade-out look, and I added Beadlines to the outer lines for a little interest.
Or, how about double circles? A Cheerios version. ๐
Of course, scale always makes a difference. Try drawing Strircles much larger, then add interest to the dark half-circles or stripes, or both.
But what about Oopses?!? I find it remarkably easy to accidentally fill the 'wrong' space. Opportunity knocks! I often opt for a gray tone of thin pen lines. As with any Oops, do it again a few times and it looks intentional. ๐
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| Tangles: Ayame, Beadlines, Black Pearlz, Pearlz, Strircles |
I had done a blind contour drawing of my glasses sitting on my desk, and that's what I used for this next tile. Lots of oops possibilities here because the lines and circles did not meet in a regular fashion.
We had bought some brie cheese and I noticed that the bottom of the container was made of very thin wood. Respecting some stripes in the wood, I drew several lines with a clear Glaze pen, stained parts of it with diluted ink, then tangled on it. I used Sakura's Moonlight pens as they are nicely opaque, although I had to do two or three layers because the wood is quite porous.
Have fun exploring Strircles!
“I am not enamored of round Zentangles … I think it is purely that I cannot bear to do the repetition involved as well as not enjoying having to get things to work out so precisely… Too much like geometry? Too mathematical.”
Compositional art theory knows that some repetition contributes to the unity of the whole. It could be repetition of pattern, but also color, shape, texture, technique, etc.. When I was doing larger mandalas in acrylic paint, some of that repetition became rather not fun, but for the result to be what I wanted, the repetition was necessary. Here's one of those paintings.
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| "Bindu Lotus" 16" diameter, acrylic paint |
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| Tangles: Black Pearlz, Ixorus, Pearlz, Tripoli, and some things I just felt like doing at the time. |
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| Off-center circles by Jean Chamberlain Therkauf. |
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| Tangles: Hollibaugh, Tripoli, Well, plus dots |
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| Tangles: Bunzo, Printemps, and Knightsbridge |
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| Tnangles: Knightsbridge, Mi3, Shattuck |
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| Tangles: Well, and lots of Auras |
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| Here it has a few of the 'spots' outlined in brown ink. |