Showing posts with label words. Show all posts
Showing posts with label words. Show all posts

Tuesday, May 4, 2021

Five more Book pages

My Book only has perhaps a dozen pages left in it. I haven't been in a hurry to fill it, wanting it to add something new only when I felt inspired. These are the most recent additions.

I was rather taken with two tangles, Salt (the hexagons) from Franciose Lip and Amazing Spider (in the background) from Hennie Brouwer. 


Two of the recent project packs from Zentangle had flower-like results, which I enjoyed reproducing in my Book.


I was charmed by Cherryl Moote's tangle Morrisseau. Some of the elements here are collaged, some are drawn on the page.

I've occasionally worked with found text, so I did that on one page. I tore two pages from the same book and glued them into my larger book, then hunted and tangled.


I've been loving the stains left by my husband's hibiscus tea bags: pinks, purples, blues, grays, browns, ochres... Unfortunately, the paper in this book is not as friendly towards them as is the Tiepolo paper of the Zentangle tiles. This page ended up with only grays, and rather wrinkly. I also tried using some stencils with the teabags.


*********

For previous Book pages, check these posts:

  1. How it began
  2. Next steps
  3. Inserting an eco-dyed paper
  4. Back cover, an alphabet, gems and paisley
  5. Hexagons
  6. Celtic-style tangles, and W2
  7. Frontispiece and photos of my grandmother
  8. Space junk
  9. A sunflower, and the flower of life
  10. Knightsbridge and magic squares
  11. More space junk
  12. For now - A phrase I hated, now dear to my heart
  13. Mongolian roofs
  14. Cubine and Fassett
  15. Nautilus
  16. Notanical - combining Notan and botanical imagery
  17. An 'oops' page
  18. Inspired by Project Pack 7
  19. Four more pages: twisted striping, and borders
  20. Three more pages: leaves, tea, and spirals
  21. A month of joy
  22. A few more pages in my marvelous book: a dragon, neurographic drawing, and BrixBox/Cantire

Thursday, January 28, 2021

Color words

I have a long-standing interest in languages and linguistics and in color, so of course I'm curious about how various languages refer to colors. Here is a bit of what I've learned, paired with some more-or-less appropriate artwork!

Primitive languages have only two color words
and they are for black and white,
or - more accurately - dark and light.


If a language has only three words for colors,
they are for black, white, and red.
This is because red is so closely associated
with life and death.


Color terms are added in a fixed order
as a language evolves.
Next to arrive are words for green and yellow,
one or the other, and then the other. 


After yellow and green is blue.


All languages distinguishing six colors have terms
for black, white, red, green, yellow and blue.
I wonder if this is why a basic crayon or paint set contains
 those colors and is missing orange and purple?


As languages develop they next add
a term for brown. 


Brown is followed by orange, pink, purple and gray,
in no particular order.


Finally a term for light blue appears.
Russian makes this distinction with 
sinii (dark blue) and goluboi (light blue).
These are as separate and distinct for Russians
as red and pink are for English speakers.



(No, this isn't my art, but it gets the point across nicely!)

Irish apparently has two words for green. 
Glas denotes the green color of plants and the gray-green of the sea,
while 
uaithne describes the artificial greens of dyes, paints, and such.
Apparently this distinction is made even if the hues are identical.
It seems it's not so much about the color itself,
but about how it came to be.


And there you have a brief history of words for colors.

Friday, September 20, 2019

Art Terminology


For several years I wrote art-related articles for a local monthly newspaper. A number of readers found this one rather helpful. So even though most of you reading this blog are into art in one way or another, I thought I'd share it here, slightly edited.


ART TERMINOLOGY

Would you visit an art gallery if you knew what the heck they were talking about half the time? Here’s a beginner’s glossary to get you started.

The color spectrum is the whole band of visible color. A rainbow. A hue is the actual color name, like orange or blue. Most of us just say “color”.

If a color has white added to it, it‘s called a tint. ‘Pastel’ colors are all tints.  If a color has been darkened it is called a shade. A color’s value has to do with its lightness or darkness – its tinting or shading. Intensity refers to the color’s brightness.

The picture plane is the two-dimensional flat surface on which the image is placed.

Paintings and drawings are generally done on a flat surface. If artists want to imply depth or distance, they use perspective. Perspective can be created in a variety of ways. 

An early method of trying to imply depth of space was to place distant objects high on the picture plane, and nearby objects at the bottom, even though they were all the same size. Objects can be overlapped; objects behind are missing parts because they're blocked out by those in front. Near objects can be shown larger than distant ones and/or in greater detail. Distant objects can be depicted in muted or grayed colors. In school you may have learned about converging lines and a vanishing point.

Texture can have two similar meanings. It may refer to patterning or other visual aspects which give an implied texture to a flat surface. Or it may refer to actual tactile texture - one you could feel if you touched it.

Impasto is a particularly thick application of paint. It can be done with a brush, but often a palette knife is used. This creates one kind of texture.

A patina (pa-TEEN-a) is the surface appearance and texture of an object. It is usually acquired over time, through contact with elements in the air or soil or human hands. Copper roofs acquire a green patina called verdigris. Wooden handrails become exceptionally smooth, even glossy. It is possible now to speed up or duplicate these finishes to some extent. 

Hatching is shading using a series of fine parallel lines. When a second or third set of lines overlaps the first at a different angle, it is called cross-hatching.

Here’s a good one: chiaroscuro (kee-AR-o-SKOOR-o). It’s Italian. ‘Chiaro’ means clear; ‘oscuro’ means obscure. Mediterranean light is strong, and strong light produces deep shadows. In art, chiaroscuro means pronounced lighted and shaded areas, and using these to show the form of an object.

Collage comes from the French verb coller which means ‘to stick’ or ‘to glue’. Collage simply means gluing things onto the picture plane. An entire picture may be made this way, or only one or two elements may be collaged.

Abstract has become somewhat of a catch-all term for any art that looks sort of weird and “modern” and hard to identify. True abstract art - while it may be difficult to recognize even if you have a good look at it - is nonetheless inspired by, and derived from, recognizable objects. 

If the representation of real objects is completely absent it's called non-objective or non-representational. It is not an abstracted image, but springs entirely from the artist's imagination.

So choose a friend, choose a gallery, and throw a few words around. Have fun!


And because there are no pictures this time, I share this with you. I assumed it was done by an adult with some art training, but no. The artist is five or six years old, accessing her inner compositional genius without even thinking about it!  :)

Friday, September 6, 2019

Project Pack #6: Part 2

Zentangle recently released its sixth project pack and I've been having a lot of fun with it. (For Part One, go here.)

DAY 4:
Molly shows Munchin and Paradox, and transitioning between them. I included two other tangles based on triangles and some of them flowed onto the next page.
Tangles on this page: Fassett, Munchin, Paradox, Sqaro
DAY 5:
Julie draws weighted Printemps and her variation 'melting Mooka' with other tangles as fills. I didn't try the melting Mooka until later but it's quite fun, and - as someone else said - has an Art Deco look. A couple of mine got a bit rebellious at the end!
Tangles: Camelia, 'Nzeppel, weighted Printemps
Tangles: Black Pearlz, melting Mooka, Shattuck, Tipple
DAY 6:
Maria draws ING with some wonderful additions. I love the spiral fills! On the page beside it I did my variation curvING
Tangles: Ing, Pearlz
Tangles: curvING, Crescent Moon (layered), Printemps,
DAY 7:
Molly draws Indyrella. It's not a tangle I've done often but I enjoyed this.
Tangles: Indyrella, hints of Msst
There's more to come!

Friday, August 30, 2019

Project Pack #6: Part 1

Zentangle recently released its sixth project pack and I thoroughly enjoyed it! (In fact, I haven't finished yet.) The pack includes the various pens and other tools you'll use as well as a charming little 'journal' to work in. Each journal page, while mainly white paper, has a black ink "spill" to work with. The video lessons are available on YouTube. To order your own project pack, go here.

This project honors the 'no mistakes' philosophy of Zentangle. From the Zentangle website:
The "No Mistakes" philosophy has been an integral part of the Zentangle Method since it’s beginning. "No Mistakes" is a mantra we use in our Zentangle practice that allows us to see every line as an opportunity... Whether intentional or not, with this perspective, one can learn to see beauty and potential in whatever mark we make and whatever path our artistic journey takes. 
This seems like an appropriate time to share the first page of my little journal, although it was done after several other pages were completed.
Tangles: Black Pearlz, Pearlz, Striping with a twist, Sprouts, Zonked, and Auras
DAY 1
Maria draws Mooka and Crescent Moon; I used Icantoo and Paizel - organic forms flowing over the border between white and black.
Tangles: Icantoo, Paizel, Printemps
DAY 2
Rick draws Arukas, again flowing back and forth between black and white. I chose to use the curvy lines of the black ink 'stain' rather than straight lines. And I had a perfect opportunity to include a yin-yang symbol!
Tangles: Arukas, Black Pearlz, Msst
DAY 3
Martha draws Pearlz with Rounding between each pearl, such a lovely variation. She also does Ennies in a spiral over the black and the white sections. For some reason, I did these on different pages.
Tangles: Black Pearlz, Morse, Pearlz
Tangles: Black Pearlz, Ennies, Sprouts
Stay tuned over the next little while for more of my journal pages. 

Sunday, August 26, 2018

Tangling letters and words

It's fun to use tangles to fill letters. I often do this as a gift for someone but I also have had monograms for sale at art shows (shown below). During my recent Huge Art Sale I gave some away - along with bookmarks - to people who came.

You can use letter templates or do something freehand.
Here are two varieties of templates. One is die-cut cardboard letters. The other is plastic sheets with the letters cut through. In either case I trace the letter in pencil.
I've used them in advanced Zentangle classes when we tangle a short word or initials. You can see the work of three students here. One is not quite finished.

I did intricate letters for my daughters' weddings.
You can see C and R here.
See V and S here.
L and G are still waiting!

I've done a few new-baby names for friends and relatives. You can see Clara and Sophie on my blog, and here are Asha (lettered freehand) and Hayden (using the letter templates above).


Casa South was commissioned as a gift to a Montessori school upon a student's graduation. They had done some tangling in her classes.

Judy West, on her blog Creative Doodling, shows an interesting way to fancy-up and fill in plain outlines. Read about it here. Many of the patterns she uses are Zentangle tangles.

Joanne Fink does some delightful freehand lettering with zentangle-like patterns. You can watch a video of her demonstrating patterned monograms here.

Give it a try and have some...

Saturday, May 21, 2016

More found story pages

In this found story, or blackout poetry, or... (what?) I added more color than previously, including a bit of gold.
Tangles: Afterglo, Drupe/Fracas mash-up, Pearlz, Puffle
Thus far I seem to have been finding "stream of thought" series of words. I wanted to try to compose more sentence-like things. I'm having some success!
 My most recent effort incorporates a landscape, and the onion domes I adore. And sentences!

Sunday, May 1, 2016

Found stories, or Pages, or...

I'm not sure what to call these. It's not an original idea, but it's the first time I've tried it.

The idea is to tear a page from a book you don't want anymore and find words and phrases on that page that string together somehow. They needn't relate to the story of the original text. In fact, I found it best if I avoided reading the text and, instead, just skimmed it for words that popped out at me.

Here's my first effort. Sometimes I use Blooming Butter to divide the space and then I really don't need a string; the tendrils provide that.
Tangles: blooming Butter, Florez, N'zeppel (with Auras),
Phuds, Tipple, and wavy lines
I have previously avoided this art project mainly because of the non-archival nature of the paper used in books. But old books tended to use better paper, and I hope - if I decide to mount these for hanging - that a UV-filter protective coating will help a lot.
Here's my second one. I like how the tangle Adente flows through the phrases, linking them even more.
Tangles: Adente, Crescent Moon, Paisley Boa, Pearlz, Tipple
I think the words 'roses', 'currants', and 'pinks' affected me on my third page and I added color to the one large flower. The tangle Keystone can have a 'picket fence' look, and a window seemed to fit in the upper corner.
Tangles: Arnia, Black Pearlz, Blooming Butter, Ennies,
Flux, Keystone, Knightsbridge, Opus, Tipple

Wednesday, March 7, 2012

Color Words


One of my other interests is languages and linguistics, and I find it interesting how speakers of different languages divide colors in different ways.

Could you describe the room you're in using only two color words? Very primitive languages have only two and they are for black and white, or more accurately, for dark and bright. If a language has only three color words, the third is for red. This is likely because red is associated with blood, and therefore with life and death. It's a very primal color.

It seems that color terms are added to a language in a fixed order as the language evolves. After dark, light, and red, green and/or yellow (first one, then the other) are added, followed by blue. All languages with six distinct colors contain terms for the same six colors: black, white, red, green, yellow and blue. As languages develop, they add a term for brown, followed by orange, pink, and purple and/or gray, in no particular order. Finally, a term for light blue appears. (We English speakers lag behind!)

I tend to assume that everyone else thinks the same way I do, but not all languages have words for colors that are equivalent to English words. Languages sometimes give hues different names based on how light or dark they are. 

For example, English splits red and pink, and orange and brown. To English speakers, these pairs of colors - which are really no more different from one another than light green and dark green - belong to different categories. Apparently Irish does separate light green and dark green. A Russian-speaker makes the same red-pink and orange-brown distinctions we do, and will further distinguish between dark blue and light blue.

Thursday, January 26, 2012

Zentangle inspired poetry

I'm a bit of a limerick fan, so I'll share that first. The author is Janet Nordfors, a member of the Yahoo group "Zentangle Inspired Art".
There was an old woman who tangled.
With Microns and tiles she wrangled.
She blogged and she swapped,
'til one night she dropped.
With her fine strings, she'd been strangled.

Sandy Popa is one of the moderators of the "Zentangle Inspired Art" Yahoo group, and she presented this poem:
Fountainy cylinders of dripping ink,
What patterns will come
Not sure what to think.
A dribble, a swish, then a dot,
Zentangles develop
Without a thought.

And since what's a book without pictures, here's a recent tile shared with me by Jenn, one of my students. Pretty cool!

Friday, January 6, 2012

Words, and missed concepts

I encountered Zentangle in late 2008. I still don't know what posessed me to attend a CZT training seminar - it seemed a lot of money at the time - but I knew I had to go. It was just the right thinig to do. In May 2010 I was in Whitinsville with 60-some other bug-eyed enthusiasts. It's one of the best things I've ever done.

Between learning about Zentangle and LEARNING ABOUT Zentangle I did a fair amount of drawing, tried to figure out things, copied patterns, searched the internet and so on. Patterns and repeated elements I totally grokked but somehow I just didn't grasp the idea of strings and shading.

I did a series of short words in the summer of 2009, completely missing the idea of pencil strings and shading, but bang on with the pattern thing. In a way, the outlines of the letters serve as strings, but without any mystery. Here are a few of them (still rather cool nonetheless!).
This is supposed to say 'now' but looks rather like 'wow'.
Oh well, I guess "Wow! Now!" is a good attitude!

Monday, August 29, 2011

Clara

Friends of my eldest daughter just had a baby girl, and my daughter asked if I would do a name for them. I know Clara's father, and have met her mother's parents, and thanks to Facebook I've even seen Clara!

Tangles: Assunta, Bales, Black Pearls, Cadent, Coaster, Finery,
Florez, Flux, Hollibaugh, Ixorus, Keenees, Knightsbridge, Miranda,
Parabola, Paradox, Prestwood, Purk, Shattuck,
Tidings, Tripoli, Unyun, Yincut

It's 8"x10" so they can pop it into a ready-made frame if they want. I began with an acrylic wash in three colors. For the letters I used cardboard cut-out scrapbooking letters as stencils. Then I did a pencil string over the entire thing and went at it with pens in various colors. I finished with pencil shading in various colors and a bit of white and pale blue on the letters.

Wednesday, April 6, 2011

Mooka

In homage to Alphonse Maria Mucha, art nouveau artiste extraordinaire, Maria Thomas demonstrates a new tangle "Mooka". And knowing that we'd all be wanting to try it anyway, the Diva's challenge this week is to use Mooka in either a Zentangle tile or a piece of zentangle-inspired art.

Here's my first go at it. I just wanted to get a feel for the tangle, try it in various configurations, get to understand it a little. It certainly has the desired tendrilly, botanical, art nouveau look. I found I like it better than I thought I would. That's good for me as I tend toward straighter lines with a set look for the resulting pattern. But I've always loved Art Nouveau!


With a new tangle I often begin with a border. I need to contain it somehow. That's what I did above. Mooka is organic, fiddleheady, flowy, and adaptable. I felt I needed a bit more space and that's probably that's why on my second tile I abandoned the border and went to the edges. I also wanted to try some different ends on the ...

DIGRESSION: What should we call those? I was going to say "fronds" thinking of palm fronds or fern fronds, but a frond is the whole leafy branch, not just the single leaf part. (At this point 'frond' just looks and sounds really silly, but I'll try to stay focused.) In the middle of writing this post I went to the internet and discovered that "The leafy branch of the fern is usually called a frond. The small leaflets that make up the whole frond are called pinnae." Pinnae. There is a tangle called Pina and that might get confusing. A leaflet could be an advertisement or a flyer. Howz 'bout we call them frondlets?

... frondlets.


Tangles: MOOKA, Flux, Lotus Pods, Pearlz, Striping, Tipple
I discovered that by putting a line through the pointy bases I could fill the background/negative space, avoid running that pattern/black into the adjacent frondlet, and ended up with an interesting Striping effect. I tried using a white pen on some of the black areas, but I wasn't happy with it and blacked over some of it! (I think it needs larger black areas to work well.)

I tried a third tile, still wanting to do something different on the ends of the frondlets. There's something about those bulby ends I don't like.

Tangles: MOOKA, Fern (by Jane Monk), Floatfest (by Carole Ohl), Perfs, PokeLeaf and as yet unnamed.

I love the botanical look of this tangle, but I think I need to loosen up a bit with it. It's definitely going to find its way into an art commission I'm working on which requires some 'shrubery'. I'm doing ten tangled houses for a couple's tenth wedding anniversary. More on that in a month or two.

Now off to make a mocha and make more Mooka. Mmmm.