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| "Expecting Triplets" 7"x8" mixed media, ©2017, Margaret Bremner, available |
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| "Playful Planet" 10.5"x10.5" mixed media, ©2016, Margaret Bremner, sold |
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| "Expecting Triplets" 7"x8" mixed media, ©2017, Margaret Bremner, available |
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| "Playful Planet" 10.5"x10.5" mixed media, ©2016, Margaret Bremner, sold |
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| Tangles: Bunzo, Ennies, Moon Pies, Pearlz |
It's a hashtag, too! #prestrungfun. Have a look on Instagram and Zentangle's Mosaic app.
"Pre-strung" means that there are pale, gray lines provided on the paper so you have a string to start with. Zentangle(R) offers many tiles like this.
This project ("challenge"), the brainchild of three CZTs, is based on one of Zentangle's pre-strung zendala tiles, pictured below. I admit, this is not one of my favorite pre-strung strings, but I had two white ones so I thought I'd do two. Why not?
The first two I did were on white tiles. One is at the top of this post. Here's the other.
I tried using the tangle Kahla as another string, wondering what would happen if I tried to overlay two strings.
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| Tangles: Kahla (the overlaid string), Moon Pies, Pearlz, Pepperish, Romanancy, Striping, Tipple, Wud |
I wanted to do more! I hunted, and discovered I had some tan and black tiles with this pre-strung string. The first began with smears of copper ink from a leaky pen; the second was going to be the 'mosaic' border and something else in the middle, but you know how things go!
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| Tangles: Ennies, Pepperish, Printemps, Snail |
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| Tangles: Hmmm... well, it was going to be Seljuk but it ended up being gradations of gray Moonlight pens. |
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| Tangles: Within (the overlaid string) Apacore, Paizel, Pearlz, Pepperish, Seljuk |
Colorful ribbons wanted to play on a white tile.
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| Tangles: Aquafleur and Tipple |
And finally, on a tan tile, sort of paisleys. And more. A lot more.
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| Tangles: Crescent Moon, Ennies, Purk, Soul Star, Thumbprintz, Tipple, Within |
I understand there will be another Pre-Strung Fun event. Hope you can join in!
I was out walking the other day and noticed an interesting hubcap. Then I noticed other hubcaps. What wonderful inspiration for mandala designs! Simply plug "hubcap photos" into an image search engine and you'll find lots of inspiration! Here are five, along with the hubcap that inspired them.
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| Tangles: Black Pearlz, Doodah, Fife, Hibred, Prestwood, Skyesil, Zewm |
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Revisiting the golden mean through Project Pack 11 was such fun I wanted to do more!
The pack contains a "markus operandus" for locating the phi proportions on Zentangle tiles. Markus Operandus II can be downloaded here, for free, at the bottom of the page. I've added marks to mine so I don't have to rotate my paper in order to indicate all the phi lines. I may have it laminated. It looks like this.
It can be used not only with the new Phi tiles, but also with the classic square (also apprentice and bijou) tiles, as well as the triangular 3Z tiles. I wanted to give them a whirl.
The proportions work on a square just as well as a rectangle. I'd done this years ago when my focus was mandalas. With the mandalas I used all four phi lines to create the working space:
Here's a mixed media painting from that time using these phi ratios.
| Pro Fanis • ©1998 30" (76 cms) square; acrylic and collage |
I've been fascinated with sacred geometry and the golden mean for many years. Delighted to revisit it in this project pack, I created a number of square tiles.
Using the same four lines as above I did a classic-size tile. You can see Hollyhock in the corners, Icantoo in the rectangles, and the center connects it all.
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| Tangles: Hollyhock, Icantoo, and hints of Crescent Moon, Pearlz, and Sanibel |
I had a gray tile with a mauve wash. It struck me that somewhere near the 'center' of the flower shape might be a phi intersection. Here is the finished tile, with backwards steps to the mauve wash.
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| Tangles: Aquafleur, Pearlz, Pokeleaf |
This is an eco-dyed tile that I subdivided into various phi-measured sections. I used Moonlight pens and gold ink as well as brown and sepia micron pens.
But triangles? The kit says it works with triangles, too. I don't see why not, but I'd never thought to try it before. On a rectangular shape, there are four phi intersections (shown above). I discovered that with a triangle, there are three.
The black and white 3Z tile below has the tangle Ayame, but instead of beginning it at the center I began at one of the intersections. On the tan tile, I used the six notches at the perimeter as places to begin the droplet shapes.
I'm grateful to Zentangle for reintroducing me to divine proportion. I plan to do a lot more with these measurements.
“I am not enamored of round Zentangles … I think it is purely that I cannot bear to do the repetition involved as well as not enjoying having to get things to work out so precisely… Too much like geometry? Too mathematical.”
Compositional art theory knows that some repetition contributes to the unity of the whole. It could be repetition of pattern, but also color, shape, texture, technique, etc.. When I was doing larger mandalas in acrylic paint, some of that repetition became rather not fun, but for the result to be what I wanted, the repetition was necessary. Here's one of those paintings.
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| "Bindu Lotus" 16" diameter, acrylic paint |
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| Tangles: Black Pearlz, Ixorus, Pearlz, Tripoli, and some things I just felt like doing at the time. |
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| Off-center circles by Jean Chamberlain Therkauf. |
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| The scarf hanger on the back of an Opus tile, 10.5" square. |